Work In Progress

This is a model I have returned to intermittently through my career. It’s the smallest cello I make and perfect for players with small hands. Before Stradivari came on the scene and standardised the size of the modern cello in the early 18th century, cellos were made in two sizes; a smaller, more soloistic model …read more

This is the second viola of a commission from a viola teacher in Hong Kong, who is building a collection of fine instruments to loan to his pupils. It’s my usual cornerless design, which I have made many times over the years and which has helped a fair few fledgling viola players on their way. …read more

This is the smallest size of viola I make, equivalent to a 3/4 size violin. It’s a commission from a viola teacher in Hong Kong, who wants it to lend to his pupils. I really enjoy making these small violas, testing my expertise to deliver the best possible sound at an improbably small size, and …read more

This viola is a commission from America, from a player who does a lot of chamber music and who wants a small, manageable instrument that will hold its own. Abi and I have discussed what they are after, by Zoom and email, so I’m ready to start. The first choice is the wood. The front …read more

This viola is a commission from a player who has braved the complications of lockdown to try and find her perfect instrument. I sent two small violas to her by courier to try, which she liked but which didn’t quite fit the bill. After discussing by email and video call we have established, I hope, …read more

As lockdown continues into February of 2021 and customers are thin on the ground, I’m continuing my survey of what I call the Stradivari Outliers: the models which are atypical of the Stradivari workshop output. This started by accident, when I measured and then made the 1734 ‘Habeneck’ violin, in fact by Francesco Stradivari, Antonio’s …read more

New year, new lockdown. We violin makers are so lucky to have work we enjoy and I really feel the benefit of a nice warm, quiet, safe environment to work in. Never has my lovely purpose-built workshop seemed more enticing. As orders are thin on the ground I’m enjoying continuing my exploration of models I’ve …read more

I’ve had a long period of catching up with odd jobs, varnishing and finishing instruments, also preparing and cooking resins for varnish, and some work for the charity I chair which supports student violin makers, www.rabtrust.org. Now at last I’m properly back at the workbench, with an exciting new project. I’ve had this cello model …read more

This viola is a commission from a family in the West Midlands, UK, for their musical son. He’s on a smaller viola at present and we have timed  making the viola, I hope, so he will be just ready for it when it’s finished. The back and front are made from solid wood, two pieces …read more

I don’t know if there is any connection with the Covid-19 pandemic, but I’ve had a surge in interest in my small violas for young players. Perhaps it’s just chance or maybe families and teachers are extra-focussed on the wellbeing and development of their children. Whatever the reason, I’m always happy to make these small …read more